When he finds the right balance- Man on the Moon II’s “Ghost!” is the best example- it can add up to an effective cocktail of blurred anguish. And even if Cudi rarely lines it all up, his ability's evident: The music's production, which is for the most part self-generated, is usually interesting, and his fuck-the-world posturing resonates with a certain angsty personality type. ![]() ![]() Though his 2009 debut Man on the Moon and its slightly better sequel weren't exactly critical darlings, he’s been a reliable Soundscan dent-maker and the type of figure that easily inspires 379-page threads on message board and hype thermometer KanyeToThe.
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